Let’s interpret the beauty in the art of The Doors. Much of the artistic expression in this world grieves me because it is dead even while it lives, so to speak… disoriented and misshapen. In my opinion, the epitome of what I would call “stillborn glory;” art which is brilliant yet dead – is the poetry and music of The Doors. What I mean is that when an artist expresses himself so as to exalt anything as more valuable in itself than the Creator, the artist becomes blind and spiritually ugly, yet ironically their art can and often does still point us to the glory of God.
In this case, I know there are many who would not think much of The Doors – whether musically or aesthetically, the art would seem odd, dissonant, and jarring. Even if you would consider it to be average or nothing special, there are many who see it differently. I would point you to the numerous Doors fanatics out there still today, 41 years after the end of Jim Morrison’s life – they are serious fanatics many times. I am regularly disturbed and grieved by the exaltation of Morrison, as I have come across people who compare him to Jesus, when in fact the two could not be more different. Obviously there is something here which is powerfully attractive. The depth of thought and care which went into Morrison’s writing and expression is in itself impressive, and remarkably unusual. From a young age he read esoteric literature and developed his own interpretation of the cosmos, one which became magnified to truly worldwide, generation-spanning proportions.
This is worth understanding.
If we might set aside momentarily the manifestations of spiritual darkness which clung to the lives of Morrison, Manzarek, Krieger, and Densmore, we will hear a stunningly passionate musical art which for me has been at times quite moving. If you have read my other posts at all, you will know that I am easily fascinated, easily impressed, and profoundly moved by beauty and wonder.
Watch this video – first part is a poem written by Jim Morrison hearkening back to the blues bands he would watch live while living in Alexandria, Virginia in his late teens. The second part is one of the band’s most famous songs – performed in Copenhagen in 1968 on a sound stage without an audience, (an important part of this performance, since without an audience Morrison was much more focused on the music itself, in my opinion.)
I picked this performance because you can plainly see the raw talent and effort of the artists. In other words, here is a dramatic display of one of the 20th century’s most influential acts… and I ask, why does this music endure and profoundly impact so many people? No simple answers now – think about this! It is not simply that people are sinners and The Doors were sinful so therefore people find a haven for their sinful desires. Equally, it is not true that these were good men with good intentions, and that we are drawn to be moral and generous by listening. There is something more which happens to us as we behold the power of art, something which for us Christians is crucial to understand and communicate to our culture. Let’s interpret the cosmic significance of beauty found amongst the ashes. Please do share any thoughts you have… and
Thanks for thinking,
P.S. In a future conclusion to this post on The Doors, I will offer a clear biblical interpretation and answers to the questions I attempt to raise here. I believe that through the biblical worldview we can redeem and celebrate the God-honoring aspects of those works which in themselves did not intend to be God-honoring.
Yours [O God] is the day, Yours also is the night... Ps. 74:16a